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12.08.2023 – 22.09.2023

For the solo show ”Becoming Landscape”, artist and curator Anna Viola Hallberg/Stockholm has invited artists she worked closely with during the last 2 years.

For the exhibition project Becoming Landscape, artist and curator Anna Viola Hallberg/SE has invited artists she worked closely with during the last 2 years. – The title refers to mental landscapes and how, as artists, we can continue to work and create platforms where we can rethink the various systems, we are part of.

invited artists:
Ami Skånberg/SEOona Hyland/IRPatrik Qvist/SEAnastasia Zhikhartseva/SE/RUThierry Mortier/SE/BE


During 2020-2022 one hundred artists shared and explored one site in the Stockholm Archipelago (Björkö Konstnod, BKN) with me. It became a transformative, dynamic space for art that engages with life and nature:

a space for developing community and poetic investigations, seeking to explore and interpret possibilities beyond violence, algorithms, narrow-mindedness and repression by looking at asymmetries. – By doing this we changed a perceived way of efficiency, often associated with artist residencies.

Anna Viola Hallberg

We elaborated up on a new reference system based on care strategies, unfolding ways to share as astrong and generous act and through this act establishing a fabric – a landscape – that we all become part of.

The selected works for the solo show at DAS ESSZIMMER – space for art+ emerge at a meta level what could be perceived as gateways or thresholds between or with-in systems. The discourse, hence occasional specific geopolitical mentioning, lingers on and initiates a process where re-storying takes place and opens up for shared and reflective space and how possibly the in-between stories bring forward agency as the re/de/un do vulnerabilities and introduces a discussion on desire of being connected and how to orchestrate resistance and question what value systems we feed into.

Art thus becomes a site for elasticity, for critical dialogues, for doubt, for attempts for re-establishing a sense of direction or rhythm to un/de/re disengage.

The exhibition project Becoming Landscape is starting our new exhibition season that addresses the manifold changes and upheavals that our societies are confronted with, and which epeatedly necessitate a realignment of strategies and actions. The term of the hour in this context is resilience. – But how do we become resilient?
DAS ESSZIMMER is convinced that only getting involved with the unknown, the unforeseeable can help to think in possibilities and not in problems and thereby alternative modes of action and interaction can be developed. Dealing with art, its methods and ways of thinking provides concepts to continue to act in situations of emptiness, constant change and the lack of stable reference systems.
Artists are therefore the ideal guides in these processes, as they move on unfamiliar territory every day and are used to make decisions on uncertain grounds.

Ami Skånberg (SE)

Ami Skånberg, PhD in Dance from University of Roehampton, is a performer and artistic researcher. She is the current Head of  M.A.D.E. – Master Dance Education at the Stockholm Universtiy of Arts, and also works at the University of Gothenburg. She has co-chaired Nordic Summer University Study Circle of Artistic Research. She is a board member of NOFOD (Nordic Forum for Dance Research) as well as the Peer Review Board des Journal of Artistic Research. She has held keynotes at Stockholm University of the Arts, Latvian Academy of Music nad Dance, University of Philippines, Royal College of Art (UK) and the University of Bologna.

 

Her research interests are practice-led and concern Japanese dance, screendance, gender codified movement practise, non-hierachical treatment of global dance techniques, and auto-ethnographic accounts from within the practise.

 

Ami creates stage work, dance films and documentaries about dance. A collection of her films are released by Njutafilms. She is a Doctor of slow walking with her thesis ”Suriashi as Experimental Pilgrimage in Urban and other spaces”.

 

For Becoming Landscape Skånberg is represented with two new collaborations with Hallberg. Fakk The System and CONSEQUENCES.

Oona Hyland (IR)

Oona Hyland is a visual artist and a recent graduate with an MA in art research and collaboration from IADT (Institute of Art, Design and Technology) in Dublin (2022) and a Mfil in Irish Art History at Trinity College Dublin (2017). She is currently working out of Dublin. She received the Emerging Artist Award from DLR, Dublin (2022). Hyland represented Ireland at the vertrat Irland Onsaemiro Projekt, a research and exhibition in the Joint Security Area between North and South Korea in 2019 and the Sao Paulo Biennale event ”Beyond the Horizon” in 2018, the LAF17 Festival France and in 2016 participated in ”Patrons Prizes Paradigms”, The Ernie O’ Malley Art Awards Ireland.

 

Hyland studied Cinematography at the BCFE (Ballyfermot College of Further Education) Dublin and was elected to the Royal Society of Painter/Printmaker in London (2021). She is a member of  Graphic Studio Dublin und 9 Dragonheads. For 17 years she founded and managed the fine art printworkshop Clo Ceardlann na Gnonc.

 

For Becoming Landscape Hyland is represented with Touching Time, a collaboration with Hallberg.

Patrik Qvist (SE)

Patrik Qvist is a Stockholm-based artist with a background in architecture and Land art. He works in a variety of media and has primarily been engaged with topics that relate to climate change and the environment ove the past 10 years. Qvist’s work is often text based and operates between public and private space.

 

For Becoming Landscape Qvist is represented with Attempt at Ambition.

Anastasia Zhikhartseva (SE/RU)

Anastasia Zhikhartseva graduated from Saint Petersburger Academy of Arts in 2021 with specialization in graphics and printmaking. Due to personal and political reasons, she move to Sweden in April 2022. Her inital residency was with BKN followed by SWAN emergency residency. Now Zhikhartseva lives between Sweden and France. In her current artisitc practise she comments up on her personal experiences of oppression. She works with a variety of media including painting, drawing, sewing and performance (both infront of the camera and as interventions).

 

For Becoming Landscape Zhikhartseva is represented with with the drawing ”HОMO – Russan riot police”.

Thierry Mortier (SE/BE)

Thierry Mortier works both as an independent visual artist (BE/SE) as well as a semiotician. For the election year 2022 in Sweden, Mortier initiated KVADRENNALEN as a response to political threat.

 

For Becoming Landscape Mortier is represented with the video installation ”UNTITLEMENT”.

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