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Concert at the PASSAGE | Analoges Terzett

  • “DAS ESSZIMMER goes” applies to all exhibition projects that are taking place outside the exhibition space in Bonn/GER.

16.10.2021 18:00 – 19:00

In a vacant store of the Bonn (Kaiser)PASSAGE the Analog Terzett consisting of Joachim Zoepf (Erfstadt/DE), Frank Rühl (Gießen/DE) and Claus van Bebber(Kleve/DE) gives a concert.

After the project series A gleam of reality in times of digital hype, the Analog Terzett would like to continue its work with the project Aural comfort in times of Corona Digitalism. It is about the confrontation of analogue real-time sound and the digitalisation of art, especially of music, which is spreading just as epidemically with Corona. This digitalism prevents the direct, holistic communicative exchange between musicians and listeners in a real shared space. To counteract this inhuman alienation, the musical preparation for a concert series is planned in real time in an environment that conforms to the rules. By combining acoustic and analogue electro-acoustic instruments, Analog Terzett creates a sound image that may seem electronic or digital on the surface, but is audibly more rounded and organic.

In the concert, the artists deal with the conditions of the location and the space in the (Kaiser)PASSAGE. They combine their musical preferences and highly individual playing techniques to form a joint sound enterprise, which in an analogous way spans the wide arc from the experimental avant-garde of the early 1950s to current new and improvised music.

Claus van Bebber

Claus van Bebber was born in 1949 in the Lower Rhine region and is a self-taught artist. He has been working as a freelance artist since 1979. Visual and performing arts as well as new, experimental and improvised music form the cornerstones of his interdisciplinary working method.

Frank Rühl

Frank Rühl (born 1950) comes from beat (1964), R&B, R&R, soul and psychendelic (1967-71) via free jazz to contemporary, improvised music. He is concerned with the moment, with intensity, energy and nuances, play, arbitrariness and flow, associations and free concetration, with listening.

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